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	<title>Comments on: Pauline Gibling Schindler: Vagabond Agent for Modernism, 1927-1936</title>
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		<title>By: John Crosse</title>
		<link>http://so-cal-arch-history.com/archives/920/comment-page-1#comment-1108</link>
		<dc:creator>John Crosse</dc:creator>
		<pubDate>Wed, 16 Feb 2011 00:07:35 +0000</pubDate>
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		<description>Forgot to mention to you both (Olivia and Noel) that the Jawlensky in question can be seen in the Julius Shulman photo of the Freeman living room on the Jan-Feb cover of &quot;Antiques &amp; Fine Art&quot; featured in my article, &quot;The Foundations of Los Angeles Modernism: Richard Neutra&#039;s Mod Squad&quot; at the below link.

http://socalarchhistory.blogspot.com/2010/08/practical-course-in-modern-building-art.html</description>
		<content:encoded><![CDATA[<p>Forgot to mention to you both (Olivia and Noel) that the Jawlensky in question can be seen in the Julius Shulman photo of the Freeman living room on the Jan-Feb cover of &#8220;Antiques &amp; Fine Art&#8221; featured in my article, &#8220;The Foundations of Los Angeles Modernism: Richard Neutra&#8217;s Mod Squad&#8221; at the below link.</p>
<p><a href="http://socalarchhistory.blogspot.com/2010/08/practical-course-in-modern-building-art.html" rel="nofollow">http://socalarchhistory.blogspot.com/2010/08/practical-course-in-modern-building-art.html</a></p>
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		<title>By: John Crosse</title>
		<link>http://so-cal-arch-history.com/archives/920/comment-page-1#comment-1106</link>
		<dc:creator>John Crosse</dc:creator>
		<pubDate>Tue, 15 Feb 2011 23:54:00 +0000</pubDate>
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		<description>Olivia, 

Schindler also designed frames for other Scheyer clients including Louise and Walter Arensberg. (See “Braxton Gallery, 1928-1929, Hollywood” by Naomi Sawelson-Gorse in The Furniture of R. M. Schindler, UCSB, p. 88).

Noel, Thanks for the feedback and making me aware of the Weston portrait of Schindler. I will try to track it down. 

John

&lt;a href=&quot;#comment-784&quot; rel=&quot;nofollow&quot;&gt;@olivia booth&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>Olivia, </p>
<p>Schindler also designed frames for other Scheyer clients including Louise and Walter Arensberg. (See “Braxton Gallery, 1928-1929, Hollywood” by Naomi Sawelson-Gorse in The Furniture of R. M. Schindler, UCSB, p. 88).</p>
<p>Noel, Thanks for the feedback and making me aware of the Weston portrait of Schindler. I will try to track it down. </p>
<p>John</p>
<p><a href="#comment-784" rel="nofollow">@olivia booth</a></p>
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		<title>By: Noel Osheroff</title>
		<link>http://so-cal-arch-history.com/archives/920/comment-page-1#comment-973</link>
		<dc:creator>Noel Osheroff</dc:creator>
		<pubDate>Thu, 20 Jan 2011 17:43:10 +0000</pubDate>
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		<description>Hi. I just came across your question while reading with interest the blog on Pauline Schindler.   I know the Jawlensky very well, and yes, the frame was made by Schindler.  It was always prominently displayed in Harriet and Sam Freeman&#039;s living room.  Harriet donated it to LACMA toward the end of her life.  The frame was coming apart and before she gave it, I helped her by taking it home and glueing it back together. ( That seemed to be my function in those days (&#039;80-&quot;85), helping Harriet put things back together.)  Inside the frame when I took it apart was a tiny copy of a  portrait of Schindler by Edward Weston, which  I left in place.  No doubt Hariet  and Sam acquired the painting through Galka Scheir (sp?).  Harriet said its title was &quot;Head of Christ.&quot;  Cheers.   Noel Osheroff</description>
		<content:encoded><![CDATA[<p>Hi. I just came across your question while reading with interest the blog on Pauline Schindler.   I know the Jawlensky very well, and yes, the frame was made by Schindler.  It was always prominently displayed in Harriet and Sam Freeman&#8217;s living room.  Harriet donated it to LACMA toward the end of her life.  The frame was coming apart and before she gave it, I helped her by taking it home and glueing it back together. ( That seemed to be my function in those days (&#8217;80-&#8221;85), helping Harriet put things back together.)  Inside the frame when I took it apart was a tiny copy of a  portrait of Schindler by Edward Weston, which  I left in place.  No doubt Hariet  and Sam acquired the painting through Galka Scheir (sp?).  Harriet said its title was &#8220;Head of Christ.&#8221;  Cheers.   Noel Osheroff</p>
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	<item>
		<title>By: olivia booth</title>
		<link>http://so-cal-arch-history.com/archives/920/comment-page-1#comment-784</link>
		<dc:creator>olivia booth</dc:creator>
		<pubDate>Mon, 20 Dec 2010 12:19:36 +0000</pubDate>
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		<description>Hi there, 
I am researching a piece at the LACMA, a large wood framed drawing by Alexi Jawlensky and I was told that the frame was designed by Rudolph Schindler. I&#039;m eager to find out more about this frame and this piece and snooping around to see where I can do so....Thanks for your attention, Olivia Booth</description>
		<content:encoded><![CDATA[<p>Hi there,<br />
I am researching a piece at the LACMA, a large wood framed drawing by Alexi Jawlensky and I was told that the frame was designed by Rudolph Schindler. I&#8217;m eager to find out more about this frame and this piece and snooping around to see where I can do so&#8230;.Thanks for your attention, Olivia Booth</p>
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